Negative Die-Cutting Archives • Anna' Stampin' Cave

Anna’ Stampin’ Cave – Roses and Dragonfly Thank You For A Smile Card for GDP#075

Hello and welcome everyone! Today I’ve got for you a card I created for this week’s Global Design Project theme challenge: Winged Creatures. I’m bit late to the party but thankfully not too late.

I’m a big fan of detailed die-cutting and had this idea bouncing around in my head for a while now, just never had enough time to try it.

In this card, I’ve incorporated two die-cutting techniques – inlaid die-cutting and partial die-cutting – using a couple of detailed die sets: Rose Garden Thinlits Dies and Detailed Dragonfly Thinlits Dies.

Roses and Dragonfly Thank You For A Smile Card dimensions:

Sweet Sugarplum cardstock: 11-6/8″ x 4-1/8″ scored in half at 5-7/8″ (29.7 x 10.5 cm scored in half at 14.8 cm)
Whisper White cardstock cut into two panels: bottom one measure 5-6/8″ x 4″ (14,5 x 10,2 cm) and top one 5-1/2″ x 3-7/8″ (14 cm x 9,8 cm)
Blooms & Bliss Designer Series Paper: 5-1/2″ x 3-7/8″ (14 cm x 9,8 cm)

To create my card I started with die-cutting.

I wanted this small dragonfly to be in the foreground of my die-cut panel so I run it through my Big Shot first.

For this technique, you first want to die-cut the image you want to have in the foreground of your card and you work your way backwards. Everything you die-cut later will appear to be ‘behind’ this first image.

Once it has been die-cut, I removed the dragonfly die and die-cut and I placed the rose die on the panel. I placed it the way that some parts of the die overlapped the negative space where dragonfly was die-cut previously from.

Again, I run it through the Big Shot and very carefully removed my rose die-cut from the die, being careful not to lose all the separate pieces as I will need them all to inlaid them back to my panel. I die-cut two more partial roses (one at a time) from the same panel, every time making sure they overlap the space of a previously die-cut image and saving all the little die-cut pieces. I arranged all my die-cut on the desk, so I knew

Once all the images were die-cut, I adhered what was left of the panel to the Blooms & Bliss DSP piece. And now the fun began: I had to inlay all the die-cut outlines where they came from.

The easiest part was to inlay the dragonfly outline. From there, I worked my way through the roses in the same order I die-cut them. Once I was done, I matted my detailed panel with slightly bigger Whisper White piece and next mounted it onto my Sweet Sugarplum card base.

I masked bottom part of the sentiment ‘Thanks for the smile and everything else’, stamped it on a strip of Whisper White cardstock in Basic Black Archival Ink and cut it into a banner. I also cut a banner from Sweet Sugarplum cardstock and adhered them both to my card, offsetting slightly.

I was pretty happy with the outcome but I had a feeling that something was missing. So I masked the detailed part and all the edges of my card, and I added some tiny speckles in Basic Black and Sweet Sugarplum. Few rhinestones wrap up my card.

I hope you feel inspired and that you give this technique a go. Thank you for stopping by and have a blessed day,

Anna’ Stampin’ Cave – Negative Die-Cutting

Hello everyone and welcome! Today I’ve got for you super cool & easy technique to try out: negative die-cutting. Just a reminder: each week we are using Ronald McDonald House stamp set ‘My Hero’.

For today’s project, I’ve decided to use this lovely umbrella image. To create my card I started with a Very Vanilla card base and a Very Vanilla panel, slightly smaller than my base. First, I arranged the layout of my card using the Umbrella Weather Framelits. When I was happy with the placing, I die cut the umbrella first and the handle next, from my panel. But instead of using the die-cut piece on the card (as we usually do, don’t we?), I’ve used the negative image. Savvy tip: Don’t throw your die cuts away. You can use them for your next project.

I took my panel, placed it on the card base without adhering it, and I stamped the umbrella and the handle through a die cut holes. Stamp-A-Ma-Jig ( I love this tool!!!) was a big help to position my stamps perfectly. To create an ombre effect on umbrella image, I coloured the stamp with Crushed Curry and Tangerine Tango Stampin’ Markers (Crushed Curry to the top and Tangerine Tango in the middle). And, because I don’t own the 2015-2017 In Colour Stampin’ Markers, I carefully dabbed Watermelon Wonder ink pad to the bottom of the stamp.

When I was done with the stamping, I trimmed my layer at slightly ‘wonky’ angles, and run it through the Big Shot with a Seaside embossing folder. This folder is intended to imitate the waves, but if you turn it aside, it looks like rain streaks on a window, which is totally cool 🙂

I took a piece of Watermelon Wonder DSP from 2015-2017 In Color Designer Paper Stack (there are four different designs to choose from, but I’ve gone for dots). It was slightly bigger than my top layer, but I didn’t want to use it all on my card. I only wanted it to peek from underneath my top layer where the ‘wonky’ angles were. So I measured it up, trimmed the piece and adhered it to the base. next, using dimensionals, I’ve added the top layer.

I decided not to use any additional sentiment on my card, as I think the one on the umbrella says it all. To embellish the card I’ve used White Perfect Accents. But hey, you say, these are clear, right? But did you know that you can peel off the white, sticky backing from your White Perfect Accents, and you get these super awesome clear, perfectly round embellishments?! It’s cool or what?! But, of course, once you peel the backing off, you need to use glue to adhere them.

So, did you liked my project?! I hope I inspired you to give this technique a go. It’s really cool and you will be hooked in no time!

Thank you for stopping by and have a blessed day,